Why did Brian Eno make an album designed for airports?

After spending several hours waiting for a flight at Germany’s Cologne Bonn Airport and becoming annoyed by its uninspired atmosphere, Eno conceived of an album of music “designed for airports”.

What is Ambient 1 by Brian Eno?

Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released by Polydor Records in 1978. The album consists of four compositions created by layering tape loops of differing lengths, and was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal.

Who wrote the music for airports?

All tracks were composed by Eno except “1/1”, which was co-composed by Eno with former Soft Machine drummer and vocalist Robert Wyatt and with producer Rhett Davies . Music for Airports employs the phasing of tape loops of different lengths.

What is the structure of 2/1 by music for airports?

Music for Airports second track, 2/1 consists of a choir singing shapeless harmonies. There are no real melodies present, and the voices occasionally form chords, but there is no discernible structure. This song is composed of seven loops, all of different lengths, with each loop playing back a single, sung note.

What is ambient music by Eno?

Music for Airports was the first of four albums released in Eno’s Ambient series, a term which he coined to describe music “as ignorable as it is interesting” that would “induce calm and a space to think.” Although it is not the earliest entry in the genre, it was the first album ever to be explicitly created under the label ” ambient music “.

What does ‘music for airports’ mean?

‘Music for Airports’ was the first of four albums released in Brian Eno’s ‘Ambient’ series- a term which he coined to differentiate his minimalistic approach to the album’s material and “the products of the various purveyors of canned music”.

What did Lester Bangs think of Eno’s ambient 1?

In a 1979 interview with Eno for Musician, critic Lester Bangs described Ambient 1 as having “a crystalline, sun-light-through-windowpane quality that makes it somewhat mesmerising even as you half-listen to it,” and recounted a personal experience in which the album induced him into a dream state featuring Charles Mingus.